(in review) Luzar, R. (2019) ‘How Am I? Events of being in Jean-Luc Nancy and Jean-Luc Marion’s Philosophies’, Azadpour, L., Flavel, S., and Manning, R. eds., Differences and Identity in Global Philosophy and Religion. London: Bloomsbury.

(in review) Luzar, R. (2019) ‘The Multiplicity of (Un-)Thought: Badiou, Deleuze, Event’, Comparative and Continental Philosophy.

Flavel, S., and Luzar, R. (2019) ‘Tracing The Dao: Reflections on the application of Daoist theory of action in contemporary drawing practice’, Drawing: Research, Theory, Practice, Vol 4, Issue 1

Luzar, R. (2018) ‘Performative Points: Tracing Desire’, in Ed Pien, La Poste, a publication accompanying the exhibition.


Luzar, R. (2017) ‘Rethinking The Graphic Trace in Performative Drawing’, Theatre and Performance Design, 3:1-2, 50-67, DOI: 10.1080/23322551.2017.1327559.


'Turning Around The Written Mark, Opening From A Weight of Thought', in Nancy & Visual Culture, C. Giunta & A. Janus eds. Edinburgh: Edinburgh University Press, 2016.


‘Multiple Signatures of Subtraction’, article published in Mnemoscape Magazine, The Anarchival Impulse, issue 1, Autumn 2014  –  http://www.mnemoscape.org/


Drawing Upon Multiplicity: Mark, Body and A Trace of Thought, doctoral thesis, Central Saint Martins, University of the Arts London, 2013  –  http://ualresearchonline.arts.ac.uk/6182/


Exchanging ‘x’, an article commissioned for the exhibition and publication Exchange, at APT Gallery, London, 2013


'A Trace From A Point... (without Reference)', Desearch, Issue 2, Summer, 2012 –



'Remarking The Here Over Now', Cultural Policy, Criticism & Management Research, Issue 6, Autumn, 2012




'Moments of Repetition' (a peer review of artist Jill Townsley), in Artfractures Quarterly, Summer 2010.


'A Note From A Viewer' (a review of artist Timo Kube), published for the exhibition This, at Galerie Wilma Tolgsdorf