(in review) Luzar, R. (2020) ‘Events of excess, being and existence in Jean-Luc Nancy and Jean-Luc Marion’s philosophies’, Azadpour, L., Flavel, S., and Manning, R. eds., Difference In Identity in Global Philosophy and Religion. London: Bloomsbury.

(in review) Luzar, R. ‘The Multiplicity of (Un-)Thought: Badiou, Deleuze, Event’, Comparative and Continental Philosophy.

Flavel, S., and Luzar, R. (2019) ‘Tracing The Dao: Reflections on the application of Daoist theory of action in contemporary drawing practice’, Drawing: Research, Theory, Practice, Vol 4, Issue 1

Luzar, R. (2018) ‘Performative Points: Tracing Desire’, in Ed Pien, La Poste, a publication accompanying the exhibition.

Luzar, R. (2017) ‘Rethinking The Graphic Trace in Performative Drawing’, Theatre and Performance Design, Vol.3, Issue 1, pp. 50-67.

'Turning Around The Written Mark, Opening From A Weight of Thought', in Nancy & Visual Culture, C. Giunta & A. Janus eds. Edinburgh: Edinburgh University Press, 2016.

Luzar, R. (2014) ‘Multiple Signatures of Subtraction’, article published in Mnemoscape Magazine, The Anarchival Impulse, issue 1, Autumn 2014

Luzar, R. (2013) ‘Exchanging “x”’, essay commissioned for the publication accompanying the exhibition Exchange, APT Gallery, London, UK.

Luzar, R. (2012) ‘A Trace From A Point... (without reference)’, Desearch, Issue 2, Summer issue.  http://www.desearch.co.uk/journal-4329.html

Luzar, R. (2012) ‘Remarking The Here Over Now’, Cultural Policy, Criticism & Management Research, Issue 6, Autumn, pp. 79-95. 

Luzar, R. (2010) ‘Moments of Repetition’ – peer review of artist Jill Townsley, Artfractures (Quarterly), Summer issue, pp. 31-36.

'A Note From A Viewer' (a review of artist Timo Kube), published for the exhibition This, at Galerie Wilma Tolgsdorf